The Next Big Thing

And in a brief departure from MM’s usual flavor…
The Next Big Thing: Sara Nolan

 

Travis Cebula, thank for inviting me into this delicious arts crucible.

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but this is bigger…

Sarah Suzor, poet who lures words, called The Next Big Thing “the anti-thesis of mainstream advertising.”  TNBT generates nourishing art community like flash mobs.  Appropriate to the project is the M.O. of Seth Godin, a tribal promoter: “My job is to notice things.”  TNBT facilitates noticing things outside of mainstream advertising, which attempts to place whoopee cushions under your most subtle and heartfelt ideas about what matters.

I am going to push this beyond where it is legitimately pushable and describe projects below that have not yet fully incarnated, thereby advertising something that does not yet exist.  But if God, however unfathomable and abstract, can and does have front-men and women pushing her fuzzy agenda, so can my proto-books.  Here they are.

What is/was the working title of the book (s)?

For What It Is: Essays in Transit (I explained to my partner that I sometimes feel like a child trapped in an adult’s body, and he said—something like– well maybe you just see things for what they are.  Yeah. Thank you, title).

Unprofessional. (My beef with professionalism).

Orpheus and Eurydice: To Hell and Back (A lyric sequence co-authored with Rick Benjamin, now small-state RI’s poet laureate).

Where did the idea come from for the book?

From the general realization that Life is unfathomably strange to me, and preciously close.  From taking my shoes off in Corporate America offices and walking in the hallway in Smartwool socks.  Rejecting the micro-wave popcorn style of careering. Obsessing about those who lose everything in a moment of impulsive love and then attempt to shatter loss like it is a piñata.

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This is my boss

What genre does your book(s) fall under?


Poetry masquerading as Creative-Non-fiction; Life masquerading as Words.  Self-help with spirit medicine.  Dialogic Poetry.  Cup Runneth Over.

 What actors would you choose to play the part of your characters in a movie rendition?

Anywhere “I” appear, “I” would be played by Jasmine Tea, as I am sure my blood is mostly composed of that now anyway, and Jas is too formless to be overly formal.  Loss would be played by an avocado born without a pit.  My characters all shift shape too quickly to be played by any single actor or actress, so a blurry screen would serve the works best.

What is a one sentence synopsis of your book?

Outlandishness takes Rigor on an extended date; both opt for unemployment over Status Quo; en route to humble corners of the Big Picture, they collide with mythic figures in a Rent Controlled apartment with a rusted fire escape, where Love combusts. [Admit what great community service semi-colons do!]

How long did it take you to write the first draft of the manuscript?

Lifetimes. 15 minutes.  A lifetime + fifteen minutes. A few years of late-night emails under the influence of heart.

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Timetable of a Little Fish In A Big Eternity

Who or what inspired you to write this book?

Multiplicities.  Rick Benjamin insisted that I was sent here for my gifts.  Poet Doctor Martha Oatis kept insisting I already had a book. I was irritated about what we are groomed for and so groomed out of.  I think Love should cost everything, because it gives everything.  So I’m spending all my words on that.

What else about your book might pique the reader’s interest?

I hope its generosity and overactive bullshit detector.  Or maybe its abject commitment to being here.  Its undisciplined genre.  I’d like writing to overturn things—but the right things.   So that the heart beats a little cleaner and more commitedly.

Will your book be self-published or represented by an agency?

The jury is still sitting on this egg.  Unprofessional will likely be published by Shadow Mountain Press and the one and only Travis Cebula.

Tagged: Rick Benjamin, Shin Yu Pai, Martha Oatis…and two others unconfirmed!  Look for their next big thing-ing next wednesday!

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4 Responses to “The Next Big Thing”

  1. erin Says:

    I am always your greedy reader.

    • saraknowsyou Says:

      Erin, I will feed you anytime. You are also always welcome to be a guest poster on the agony and the ecstasy, and/or let Sadie have the last (and first and middle) word. Where was her clear and declarative brashness when we were trying so caffeinatedly to write our tortured exegesis papers on Woolf et al?

  2. erin Says:

    She is certainly my most lucid production.

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